A Long Summer Hiatus

I can't believe it has been so long since I posted... Life got pretty crazy there for a while, and I lost my motivation for blogging, as well, though not my motivation for weaving. Never that!

To sum up about Convergence - it was a whole heck of a lot of fun. The second two classes that I took were about color theory - no pictures, really, to post, but they were good classes, and kind of confirmed for me that I do better than I think I do with the color stuff... In the first, we did a series of exercises with hues (setting up a grey scale and then choosing colors from a huge amount of color chips to go with each hue on the scale - a great exercise, and, I found, a lot easier when I just went with my gut and *didn't* use the little grey scale finder that the teacher gave to us). In hindsight, I probably shouldn't have signed up for two classes on color theory - they were both very good, and either one on it's own would have been sufficient (the teacher for the second one, Ruby Leslie, brought a huge amount of her very fun samples with her to illustrate how colors work together - also fantastic!).

Those colors work together, I think, at least in real life... The scarf is a little more warm than this picture shows. Kind of toffee-ish. Yum. (This is one of my old standby patterns, made in Bambu7 from Silk City.)

The exhibits were amazing - I didn't get to see as many off-campus as I would have wished, including, I'm ashamed to admit it, missing Kathy Roig's piece in the Weave and Resist exhibit (wah! lame!). But the exhibits that were in the Conference center were a lot of fun to explore... And the yardage exhibit took the cake. They hung the pieces from the center of a rotunda in the conference center - really gorgeous, so you could get the full impact of them length of cloth, or go up to the second floor and see them up close.

I've been playing with some really yummy variegated yarn that I found at Convergence lately:

I am actually going to be working on a project using this yarn for Handwoven Magazine very soon! More of the yarn is on it's way, courtesy of Earth Guild's Dragon Tale Yarn. I'm very excited about this - the design is based on the ruffled scarves that I've posted here before, and, hopefully, the project will turn out as Madelyn van der Hoogt and I hope it will and it will get published... Fingers crossed!

In family news, Ms. B started preschool today...

Who is that big girl? Goodness. (Took this picture a week or so ago, actually.) And Mr. Conall is growing like a weed...

Who is that big guy?? These pjs are a riot - I didn't realize it when I bought them, but all the little animals on them actually glow in the dark. He glows all night long. Hooray for Carters!

At any rate, for anyone who has actually been wondering - sorry about the long break, I hopefully it won't happen again. And very many thanks to anyone taking the time to read this now, after all this time... I hope all is well with all of you!

Convergence - Part Two (Classes)

Good grief, so sorry about the delay to those who were looking for more posts about Convergence. I managed to get a lovely kidney infection and landed in the hospital last Wednesday with a 104.9 degree temperature after running low-grade fevers since last Saturday evening. (I kept thinking I was going to recover and it kept coming back!)

At any rate, I'm up to my eyeballs in lovely antibiotics and am feeling mostly human again, so I thought I'd post about the first couple classes I took at Convergence.

To keep this post from getting hugely long, I thought I would break up my classes into two groups of two. As you'll be able to tell, I lean towards more theory based seminars, rather than classes that teach a particular technique (I learn very well from books and actually really enjoy doing the research and learning and experimenting with various structures, techniques, etc.)

First up, The Art of Business - How to Approach Galleries, taught by Kate Anderson who used to be the director of the Duane Reede Gallery. She gave lots of good advice about what galleries look for in artists (for example - maturity of vision, consistent style, originality, whether the work is sellable, and whether it is comparable in vision/pricepoint with other work in the gallery), and how to put together a professional marketing package to send to galleries you are interested in. Kate did a wonderful job in letting us - the students - direct the discussion, and was very encouraging of questions/concerns, etc. The discussion covered a wide range of marketing-oriented topics from taking decent photographs of your work to how to put together a good C.V. I'm nowhere near the point of being ready to approach galleries yet, but I'm hoping I will be in a couple of years, so this was all very useful information.

Interestingly enough, she did make a comment in passing about Etsy when one of the other folks mentioned it - as I've been hearing quite a bit lately, it seems one needs to be cautious about mentioning Etsy in a fine art or fine craft context. On the one hand, a gallery obviously wouldn't appreciate the competition. On the other, I got the distinct impression that - how to put this delicately? That Etsy can be viewed as unprofessional/low-end, which is such a huge shame. I mean, I know there's a lot of not-too-wonderful stuff on Etsy, but there are some artists there that just blow my socks off as well - the trouble being finding the latter... But, that's a whole other - huge - topic.

The second class I took was called "Complex Pleating" and was taught by Joan Michaels Paque. Do yourself a favor and trot right over to her Flickr account and check out her fiber, paper and mixed media art, she's really very amazing. Seriously, go now!

(See what I mean?? This is from Joan's Flickr account - wowzers!)

When I first walked in, I almost walked back out, it wasn't what I was expecting from the looks of the samples on the tables at the front of the room. But boy am I ever glad I stayed! Joan was a bit disorganized, but charmingly so, and the whole topic is just fascinating - I think that she just has so much knowledge to try to instill that it's overwhelming to try to squish it into a little seminar.

I also have the feeling that if I had been able to attend her three day workshop "Experience and Explore Kinetic Dimensional Weaving, Pleat Folds and Tessellations" I would have absolutely loved it as well. I'm jealous of the people that did attend it. I'll just have to hope that I have another chance in the future (three more days away from home at this point would have been cruel and unusual punishment for poor Mr. SkiingWeaver).

Mostly what she showed us was her work with folding paper, but the mind boggles with possibilities in applying this to textiles, in my opinion...


The top piece, in orange, is actually made from fabric - the pleats and creases are ironed right in so that the fabric retains the shape. The bottom, white piece, is paper. Isn't it a great shape??

Paper again.



I absolutely fell in love with this little piece. Figured out how to make it and everything - if anybody noticed a dark-haired woman sitting at various tables in the Convention Center between classes obsessively folding graph paper (took a while to work out the angles to that it would curve enough when I did it myself) - that was me! And then I was coloring on graph paper and folding it to work out design possibilities...

Now that I've done the Convergence thing, I really, really wish I had signed up for more classes! I followed various peoples' advice (probably for the first time ever, lol) and only signed up for four classes, thinking I'd be overwhelmed with the exhibits, vendor hall, etc. I should have known myself well enough to know that four wasn't nearly enough. (I hate to say it but I'm really not much of a shopper, so I didn't spend a lot of time in the vendor hall...) When I think of those two empty afternoon slots that could have been filled with more learning, well, phooey.

But that's also a comment on the quality of the classes I took - I thought each of them was fantastic! Wonderfully friendly teachers, interesting classmates, very well done.

So, for my next post, I'll talk about my final two classes, which were on Color Theory - both very different, but both excellent as well.

Convergence - Part One (Tampa)

I think I've been avoiding posting about Convergence. Probably because there is *so* much to talk about that I don't even really know where to begin...

So, I'll just begin with talking a little bit about Tampa. And then the classes I took. And, finally, some of the absolutely fantastic work (and some less than fantastic work - eeks) that I saw there. So, the easiest first - a bit about the little corner of Tampa that I was in for the Conference.

The Tampa Convention Center, where Convergence was held:


Palm tress are interesting beasties, aren't they?

Here's the view from my hotel room (I stayed at the Westin Harbor Island):

And, to get to the Conference Center, I took a short walk over the bridge...

One of the days, during lunch time, I poked around a bit in the business district of Tampa. It was sooooo HOT. Unbelievable, actually - mid-90s and crazy humid. I could never, ever live in a climate like that, I'd melt. (Made me remember one of the reasons why I was so gung-ho to move away from Texas all those years ago, Irish girls from New England literally cannot take the heat!)

Carlos (Mr. SkiingWeaver) says it sounds a lot like Puerto Rico in the summer, which makes sense.

Very neat fountain, reflected in a building. What completely cracked me up were these guys:

Check him out! Isn't he neat?? I kept seeing them meandering around downtown. I'm sure to Tampa/Florida people he's just like a pigeon, but I still thought he was pretty cool. Crazy tourist lady taking pictures of the pigeons. LOL (Is it an ibis? I'm not sure!) Hey, warm climate people take pictures of snow after all...

I took the trolley out to Ybor City (an older neighborhood, it used to be full of Cuban cigar factories), but didn't take any pictures - it's mostly restaurants and college bars now with just a few interesting shops thrown in, so it was a little disappointing. I was hoping for a little bit more of an ethnic vibe, but, no dice, rats. (To be fair, I am a tough customer - I lived in Mexico City for six weeks one summer, and we've spent a lot of time in Spain, too...)

OK, now that I've gotten started, I'll keep going. Stay tuned, I'll post about the classes that I took next (they were quite good - and now I wish I had signed up for more of them!).

Wednesday Artist Profile - KMR Handwoven

After last Wednesday's lapse (sorry!), I thought I'd profile a handweaver as a special treat. The fantabulous Kathie of KMR Handwoven really caught my eye when she joined EtsyFAST (the Fiber Arts Street Team).


Isn't this towel great?? I love a weaver with a sense of humor! And she did a great job photographing it, too - that yellow pepper is a very nice touch - as we all know, decent photography for an Etsy shop is not only crucially important, it can also be pretty darn difficult.

More goodies...




She has several handwoven check book cases and coin purses in her shop. See what I mean about that good photography? More great pictures. And, since I'm terrible about sewing with my handwoven fabric, I have great admiration for those who do!


Tote bags too!

While chatting with Kathie, I found out all sorts of interesting things about her weaving. For instance, she weaves on a drawloom. I've never seen one in person, but she got me all interested in them and I've been doing research (even found a place near here where I could take a little workshop on one, how fun). Here's a picture she sent me of her drawloom:

Hmm. Kind of small, but you get the idea - it's a beast, isn't it?? It has two sets of harnesses - one set for structure and one set for a pattern - and with a drawloom you can weave any sort of pattern that you can draft on graph paper...

Can you see the detail in that photo? These are some baby bibs that she wove on her drawloom - adorable or what?? She needs to get these in her Etsy shop, pronto. :) Boy, though, does the idea of a drawloom appeal to me...

A couple of notes for the weavers that may be reading this - if you are going to Convergence in Tampa this June (I am! I can't wait!), you can see some of Kathie's wall pieces in the Weave and Resist Exhibit at Hillsborough Community College in Ybor City, Tampa. (How cool is that??)

And she is also in Catherine Ellis' book, Woven Shibori. Her piece is on p.86 - and, once again, it was woven on her draw loom before she did a shibori discharge. It is *gorgeous*.

I'm not always a huge fan of woven shibori (sorry, folks, but in my opinion, I think people can make some very muddy-looking pieces using this technique - though I must say I really like Catherine Ellis' work, not muddy at all), but Kathie's piece is beautiful. I'm looking forward to seeing her work in the exhibit at Convergence!

And, just on a personal note, I have had a fabulous time chatting with Kathie over email. She's just one of those lovely people that you would love to live closer to... (I've met quite a few of people like this through EtsyFAST - maybe it's something about working with fiber.)

NEWS

How fun!

Today, I attended just one day of workshops at NEWS - the New England Weavers Seminar. Weavers from all over New England converged on beautiful Smith College this past Thursday evening through today, for classes, seminars, a fashion show, all sorts of fun stuff.

I just signed up for a couple classes for today, thinking it would be a bit much to leave sweet hubby Carlos alone with the kids all weekend. The classes were so good, I'm wishing I had signed up for more! Next time... (It's held every other year, in the off years from Convergence, the nation-wide weavers conference, run by the Handweavers Guild of America, which I'm really hoping to attend next summer in Tampa Bay, Florida. Even thinking of maybe trying to plan a project to submit to one or the exhibits, GULP.)

Always wonderful to be in the company of fiberholics... And although the classes I took were more business oriented (a marketing seminar and a tips & techniques seminar, both taught by the wonderful Robyn Spady), they were still full of inspiration. Can't wait to get started on some of the projects she inspired!

One comment/question. Robyn talked a bit in the second seminar about how to rectify threading errors. I just don't get it - it seems so simple to me to just check your threading as you go! I thread a maximum of 1" of ends through the heddles, stop, check them to make sure I've got it right, tie off the bundle and move on.

I get the impression that lots of weavers will thread *all* of their warp before checking for errors. Why would a weaver ever do this?? Am I missing something?? Seriously, when I check every inch or so, I have made a grand total of maybe two threading errors in nearly seven years of weaving! (One documented in all its glory right on this blog, lol.) Maybe it's easier to check more often when you warp form the front to the back? I don't know. It's a big ol' mystery to me, but it seems like such a simple way to prevent a huge amount of annoyance down the road...