When the color changes are relatively subtle, I just wind my warp as I normally would. When the skein is one of those really yummy, non-repeating, contrast-y ones, though, you run into the Cat Barf problem, as pointed out by Syne Mitchell in this Weavezine article. The handy-dandy Bonus Content to the article describes a nice way of working with non-symmetrical skeins. I had one of those - Why didn't I think of that?! Doh! - moments when I read the article...
Here's a picture of a painted skein being wound into a warp using Syne's method:
The skein I'm winding here is about 50" around, and I need about 100" for one of my scarves, so that worked out just right. I basically made a big 100" diameter circle with the yarn, making a cross on the left side. Any longer and I would need a lot bigger warping board!
Here's the cross. Looks weird, doesn't it? But since I generally warp front to back anyway, it's really the same thing. I'll just cut it a bit above or below the cross (haven't decided yet) and proceed as I normally do.
One thing I did notice is this:
Just one more picture:
A bunch of scarves, hanging on the upstairs railing to finish drying. Right up above them (not in the picture) is bottom of the new sun tunnel that was put in when we got our roof replaced. I love it -the upstairs landing is now the brightest place in our little Cape!
Obviously I'm way behind on photographing/listing things on Etsy and 1000Markets. Ah well, it's summer, it's slow season for me. (And, yes, I do need to finish painting the stairwell... It never ends, lol!) Open Studios this Saturday, though, and I'm trying to weave like mad to have inventory for the Boston Ahts Festival in September as well as the big Lowell Open Studios, etc.



